Тональность

 
Exodus
Impact is Imminent
Impact is Imminent
Transcribed by Mike Kimball
[bloodmetalcontent@yahoo.com]
[geocities.com/bloodmetalcontent]

As with all guitar tablature, a mono-spaced font
(e.g. Courier or Monaco) is required to display properly...

Fig. 1
|---------------------------------------------------
|---------------------------------------------------
|---------------------------------------------------
|--------------------------------5------------------
|----------------7-------------5-----------------7--
|--0-000-0-0-6-5---0-000-0-3-6-----0-000-0-0-6-5----

|---------------------------------------------------
|---------------------------------------------------
|---------------------------------------------------
|----------------5---------------5------------------
|--8-5---------5---------------5---------------7----
|------6-0-3-6-----0-000-0-3-6-----0-000-0-0-6------

|-----------------------------------
|-----------------------------------
|-----------------------------------
|----------------5-8----------------
|--------------5-----7-0-----5------
|--0-000-0-3-6-----------0-6---3-6--


Fig. 2
|-----------------
|-----------------
|-----------------
|--------------0--
|--8-5-0-------0--
|--------0-6-0----


Fig. 3
|-----------------------------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
|--2-----9-8-----8-7-------5---3---2-----3-5-----5-7--
|--0---0-7-6---0-6-5---0-0-3-0-1---0---0-1-3---0-3-5--

|-------------------------------------------------------------
|-------------------------------------------------------------
|-------------------------------------------------------------
|-------------------------------------------------------------
|------8---9---2-----9-8-----8-7-------5---3---2-----9-8---5--
|--0-0-6-0-7---0---0-7-6---0-6-5---0-0-3-0-1---0---0-7-6---3--

||-------------------||------------------
||-------------------||------------------
||-------------------||------------------
||-------------------||--8---------------
||-------------------||----7-0-----5-----
||--0000000000000000-||--------0-6---3-6-
    |__||__||__||__|


Fig. 4
[solo 1]
|------------------------------------------------------
|------------------------------------------------------
|------------------------------------------------------
|--------------0---------------0---------------0-------
|--2-----2-5---0---2-----2-5---0---2-----2-5---0---2---
|--0---0-0-3-------0---0-0-3-------0---0-0-3-------0---

|--------------
|--------------
|--------------
|----4-3-------
|----2-1---5---
|--0-------3---

[solo 2]
|--------------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
|--------------3---3-----3-3-------------------3---
|--2-----2-5---0---1-----2-1---5---2-----2-5---0---
|--0---0-0-3-----------0-------3---0---0-0-3-------

|------------------
|------------------
|------------------
|--3-----3-3-------
|--1-111-2-1---5---
|--------------3---

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