Тональность

 
F# pattern      D#m pattern  C# pattern   E pattern
e----9-7-9--------6-4-6--------4-2-4----------0--------------------------
B---7-7-7-7------4-4-4-4------2-2-2-2--------0-0-------------------------
G-------------------------------------------1---1------------------------
D------------------------------------------2-----2-----------------------
A--9------------6------------4------------2-------2----------------------
E------------------------------------------------------------------------
 
Below is 8 beats (2 measures)
F# pattern 2
e------------------------------------------------------------------------
B----2---2---2---0----2---2---2------------------------------------------
G-----3---3---3---1----3---3---3-----------------------------------------
D------4---4---4---2----4---4---4----------------------------------------
A------------------------------------------------------------------------
E---2---2---2---0----2---2---2---2---------------------------------------

Putting it together:
F# F# F# F# D#m D#m D#m D#m
She's a lady, she's got time Oh
She's a lady, she is mine Oh

C# C# E E F#
Brush back your hair, and let me get to know your face
Brush back your hair, and let me get to know your flesh.

Organ: F# B C# F# B C# F# C# D#m A#m D#m A#m
I've been waiting here for so long
You stand there with your fixed expression 
casting doubt on all I have to say

C# G#m B F# E F# E F# E F# E F# E
and all this time has passed me by It hardly seems to
why don't you touch me, touch me why don't you touch me, 
touch me

B E F# E B E F#
matter now
touch me now now now now now

F# E F# E B E B E F# E B E F# }repeat this a few times
now now now now now

Outro: B C# F# B C# F# B C# F#

The rapidly alternating part flips between an F# and a C#
and finally ends on F#